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| klodner-en [23.09.2022 11:25] – dusan | klodner-en [19.02.2023 16:04] (current) – external edit 127.0.0.1 |
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| In principle, we create the package in such a way that as a whole it corresponds to the archival description at the Subseries level and contains all digital objects that hierarchically belong to this and lower levels of the described entity. | In principle, we create the package in such a way that as a whole it corresponds to the archival description at the Subseries level and contains all digital objects that hierarchically belong to this and lower levels of the described entity. |
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| <file> | {{klodner-4.png?400&nolink}} |
| / Apelativni_komentare_soucasnosti | |
| ├── / Filmy | |
| │ ├── kanal_1_master.mkv | |
| │ ├── kanal_2_master.mkv | |
| │ ├── kanal_3_master.mkv | |
| │ └── apelativni_cc.mov | |
| ├── / Dokumentace | |
| │ ├── akvizicni_zprava.pdf | |
| │ ├── konzervatorska_zprava.pdf | |
| │ └── instalacni_instrukce.pdf | |
| └── / Instalace-IMS | |
| ├── plakat_media_a_my_2007.pdf | |
| ├── foto01.tif | |
| ├── foto02.tif | |
| ├── foto03.tif | |
| └── foto04.tif | |
| </file> | |
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| ''Fig. 2. Sample package for reception and three-level description.'' | ''Fig. 2. Sample package for reception and three-level description.'' |
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| //The Access Entity (Access)// is the external interface of the system with the target groups the repository serves. It is responsible for receiving requests, controlling access and providing user packages. | //The Access Entity (Access)// is the external interface of the system with the target groups the repository serves. It is responsible for receiving requests, controlling access and providing user packages. |
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| {{klodner_2.png?nolink&639x471}} | {{klodner_2.png?639x471&direct}} |
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| ''Conceptual process diagram and block diagram of the research archive system at the National Film Archive in Prague.'' | ''Fig. 3. Conceptual process diagram and block diagram of the research archive system at the National Film Archive in Prague.'' |
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| For memory institutions, the choice of technology platforms, cataloguing software and long-term preservation systems is a multi-layered set of issues impacting different parts of the organisation. It includes, for example, economic aspects or the question of international compatibility and thus the possibility of archive development and cooperation. Neglecting these issues can slow communication with technology suppliers or risk creating a very taxing dependency on inappropriate solutions. Thanks to the democratisation of technology, every organisation has the opportunity to organise the right set of tools according to its needs and, moreover, to keep their function in its own hands. Long-term preservation needs require the independence of data storage from specific technologies, especially proprietary types. | For memory institutions, the choice of technology platforms, cataloguing software and long-term preservation systems is a multi-layered set of issues impacting different parts of the organisation. It includes, for example, economic aspects or the question of international compatibility and thus the possibility of archive development and cooperation. Neglecting these issues can slow communication with technology suppliers or risk creating a very taxing dependency on inappropriate solutions. Thanks to the democratisation of technology, every organisation has the opportunity to organise the right set of tools according to its needs and, moreover, to keep their function in its own hands. Long-term preservation needs require the independence of data storage from specific technologies, especially proprietary types. |
| In principle, archiving is most important in its broad and mass scope and interdependence; it should not single out and focus on items or a narrow selection. This is where it differs from actual presentation. It is only in the phase of using material from the archive that curation focuses on the specific selection of the content of the collection with the aim of formulating historical and contemporary themes, education or how to present it to specific audiences. | In principle, archiving is most important in its broad and mass scope and interdependence; it should not single out and focus on items or a narrow selection. This is where it differs from actual presentation. It is only in the phase of using material from the archive that curation focuses on the specific selection of the content of the collection with the aim of formulating historical and contemporary themes, education or how to present it to specific audiences. |
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| //The described method was used in the research repository of the project "Audiovisual work outside the context of cinema: documentation, archiving and accessibility", at the National Film Archive in Prague. The proposed methodology and other results (in Czech language) can be found at https://videoarchiv-nfa.cz/metodika/. // | //The described method was used in the research repository of the project "Audiovisual work outside the context of cinema: documentation, archiving and accessibility", at the Národní filmový archiv, Prague. The proposed methodology and other results (in Czech language) can be found at https://videoarchiv-nfa.cz/metodika/. // |
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| Translated by David Gaul. | Translated by David Gaul. |
